Tag Archives: Writing

5 (Writer’s) Block Busters You Can Do in 5 Minutes

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[Said in obnoxious infomercial voice:]

Hey there, Fellow Writers!

Are you tired of having a scene (or even a whole story) in your head that you can’t seem to transfer to a notebook or computer?

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Or, sitting down to do your daily writing, and coming up with a big fat blank?

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It might not be your fault! According to the research of people you’ve never heard of who do studies of questionable legitimacy, you might be suffering from a condition known to lay people as “Writer’s Block.”

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If you have strategies to help get rid of writer’s block that I haven’t mentioned, please feel free to say so in the comments. Hearing new ideas (Or ones I knew, but had forgotten) is always helpful. Thanks.

Here are some exercises I’ve found helpful when my brain locks up on me:

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1.) Spend 5 minutes doing a prompt. This always gives me a mental kick-start and gets me writing. I don’t have to sit around trying to decide on an idea, and the time limit keeps me from editing as I go, which is something I do too often.

Prompt Examples:

– Find a friend. As quick as you can, both of you write a beginning sentence and an ending sentence, but nothing in between. Trade papers and fill in the blank  left in the scene of the other person’s sentences. Try to have a paragraph-long scene or story when you finish.

– Flip open a magazine and write a paragraph inspired by a picture or article on that page. What you write doesn’t need to have any actual connection to what’s on the magazine page. It’s just whatever that image/article brings to mind for you.

– Look at a news paper and start a scene where a character reads and reacts to one of the headlines. (This is also good for keeping your writing current and socially relevant.)

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2.)Take a 5 minute walk. Fresh air, Vitamin D. The outdoors are full of stuff that’s good for you. You’ll also be getting a little (but probably enough for our purposes) of exercise, which, as you probably know, gives your brain more of the stuff it needs. (Blood flow, oxygen.) Try to find a power walking pace that boosts your heart rate, but doesn’t leave you winded. You should end with more energy than you had when you started.

Things to pay attention to while walking:

– Landscape. Is there anything around the area where you’re walking that inspires or interests you? Anything that could be used in a potential story setting? This includes natural and man-made structures. Does a house look like a place one of your characters would live?

– Graffiti. I actually go around looking for graffiti because it always makes me wonder who wrote it there, and what made them think it was important enough that everyone should see it.

– People. What kinds of other pedestrians are in the area? What kinds of cars? How are the people driving? How are they dressed? Is there anything unusual about someone’s gait or mannerisms?

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3.) Eves Drop. Not on people you know, or anything. Just people out in public places who are having loud obnoxious conversations anyway. Make them work for your writing process. (I know two out of three so far require leaving the house, but they’re worth it.) Pay attention to word choice, voice inflection, speech patterns, accents, euphemisms. It can really help when writing dialogue.

Good places to overhear a conversation:

– Coffee Shops. Not a coffee shop where everyone else is there alone, writing or playing Fruit Ninja. One where you know people meet for lunch and gossip.

– Bus stations. I swear I have seen and heard stranger things waiting for buses than anywhere else I’ve been except the blood bank. (I do not recommend the blood bank for this exercise. You want to go someplace where the conversation might be a little scandalous or sketchy, but not someplace where you’ve got a high probability of getting stabbed and robbed as you leave.)

– Colleges. You don’t have to crash a class. You can just visit the campus and grab lunch in the cafeteria or something. Topics overheard can range from who did what with who/what for x amount of beer/money to the validity (or lack thereof) of existentialism.

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4.) 5 Minute Research Session. Fact check a portion of what you’ve already written, or do some quick research on a subject you may have avoided writing about because you didn’t feel knowledgeable.

Things to remember while researching:

–  Bored sixth graders have taken over a good portion of Wikipedia. That’s not to say you can’t or won’t  find good information there. Just remember to double check it.

–  Librarys aren’t just where homeless people go to use a computer. Most of the writers I know do a good job of utilizing the library as a resource. (Which is much cheaper than buying every book on amazon. Nothing against amazon, but it’s hard to beat free books.) A few, however, seem to keep forgetting it’s there, so I like to throw out a reminder once in a while.

– Databases are your friend. The good ones make it easy to search specific subjects and check the credentials of the authors of particular articles/ books. Plus, lots of these are also totally free.

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5.) Make an outline/timeline/flowchart/whatever. I have a large white board I use for this purpose. Sometimes when I’ve got writers block it’s because I know on some level that what I’m trying to write isn’t working. I could be missing a key fact, or maybe a new idea contradicts something that happened in a previous scene. either way, this process helps me figure out what’s wrong and how to change it so it works.

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Prompt Writing

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I  used to believe writing prompts would only serve as one more distraction from whatever project I was working on.

When I took a creative writing class in college, however, I discovered that one of the best ways for me to shake off writer’s block was to stop what I was doing and spend about five minutes working on a writing prompt.

Prompts are to the writing world what a starting gun is to a sprinter. And it is a sprint. The goal is not distance, quantity, or energy conservation, it is to get something down as quickly as possible regardless of how coherent, silly, or irreverent it may be.

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How I GotLit! :

Writing prompts also illuminate how many ways there are to look at a single subject. At Inland Northwest Writers’ Guild meetings, we often do a writing prompt or two, and even if we all have exactly the same starting point, the differences in the directions our thoughts take us is striking.

This was also the case at a panel I went to during the GetLit! Festival. Four professional writers were given a prompt: Red Eye, and asked to write something that could be read in about ten minutes. The person who came up with the prompt had been thinking of airplanes and red-eye flights, but that’s not how any of the authors interpreted it.

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Kim Barnes, a professor at the University of Idaho and the author of In the Kingdom of Men, wrote a nonfiction piece involving her family history (Which was filled with scandal and made for a great story.) and the Red-Eye Gravy her grandmother made. It brought to life the complicated family dynamics involved with several generations of relatives, and the self discovery that comes from bringing who you are together with where you come from.
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Shann Ray, author of American Masculine and professor of leadership studies at Gonzaga University, wrote a fictional story about a professional ballerina who marries a lumberjack. The connection to the prompt was a scuffle between the husband and wife, which he starts, but she ends by nearly putting his eye out. It sounds violent, but it had an emotional depth and a flow reminiscent of well-written poetry. By the end, I felt as if the characters were old friends, and was rooting for them to patch things up.

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Nance Van Winckel, a Spokane poet, read a piece about a young child’s tragic accidental death, and the after math for the child’s parents and their friends. Everyone’s eyes were red from crying. It was so powerful partly because she had the courage to ask the question I can never bring myself to ask when I hear about something like this on the news: [Please note, I am paraphrasing, these were not her words. I could never hope repeat her exact phrasing here, but I tried to capture the sentiment because I found it so incredibly moving. My apologies if I fail to do so.]

This was an accident caused not by malice, but by a simple lapse of memory. He forgot. I forget things all the time. Little things mostly, but where is the line between and a careless moment that leads to inconvenience and one that leads to disaster?

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Jim Lynch, author of Truth Like the Sun, ended the panel on a lighter note. His story was a spoof of old Noir detective stories (which faithful readers will know I love.) It was titled Spokane Envy, and involved a blues-music-obsessed son of a rich Seattle woman running away to Spokane. I never would have guessed I’d laugh so hard at anything so soon after contemplating death and culpability and whether good intentions mean anything. But as soon as Jim Lynch started reading, I was so caught up in the story of this socially inept, bumbling private eye who was running around Washinton State looking for a missing rich kid, trying to interrogate a girl who works in a fruit stand by the side of the road, posing as a waiter in the Peacock Room at the Davenport, and meeting a rooster named Red Eye, it was impossible not to laugh.

I found the spectrum of emotions and styles, all evoked by the same two words staggering. It was like some insane literary Rorschach test. But that’s the great thing about prompts, everyone comes up with something different. It’s also easier to venture outside your comfort zone because you don’t give yourself time to over think things.

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My Own Prompt Response:

Annette Drake asked me to include my own response to the prompt given at the last Writers’ Guild meeting in this post. The prompt was GetLit! You could take it any way you wanted. We were told shorter sentences were preferable because that had been a style we were discussing at the meeting. Anyone who had anything at the end of five minutes was asked to read if they felt comfortable doing so. I did. It’s good practice for reading my more polished work, and you won’t find a friendlier audience. I came up with this:

Patches don’t do a damn thing for me.

Gum don’t work worth shit.

What I need is a cigarette:

The glow of an ember.

Smell of tobacco.

Warmth of smoke in my lungs.

But the bitch took my lighter when she left this morning.

The unlit cylinder hangs from my lips:

Benign.

Impotent.

No fire hazard here.

[Please note, I am not and never have been a smoker. I have no idea what inspired this, but that’s often how prompt writing goes. Things seem to come out of nowhere.]

I liked that I’d found a rhythm different from what I usually do, but my feelings about the piece as a whole were lukewarm until I heard the response (laughter like you hope for in a comedy club) and Annette encouraged me to share it with all of you online. I highly doubt I would have even thought of anything like this, without a prompt, let alone written it down or shared it with anyone.

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Things I didn’t need to know

iheartbooks

I used to get yelled at constantly for reading in school. My math teachers were really pissed. Weird, right?

Actually, my english teachers yelled at me too. I’d always finished the book they assigned and moved on to something else. And they really wanted me to re-read along with the class. I didn’t (and still don’t, truth be told) see the point. All they did was get me in the habit of re-reading a section once I finished it, which I sometimes do to this day. It slowed down my reading considerably, but it does come in handy when I’m editing what I’ve written. So, I suppose in the long run, this did serve a purpose, although perhaps not the one they’d intended. (They were always talking about working with the group, which as a writer/blogger, I still have limited use for. I always wanted to tell my teachers, “Well, let’s all be a group and compromise, then. I’ll try to slow down if the rest of you hurry the hell up!” I had a wee bit of a temper in my youth. While I never actually said that out loud, I did get in trouble occasionally. I never got in fights, or anything, but I forgot and ran in the hallway sometimes. I actually picked  up a Sherlock Holmes book for the first time during lunch detention. Everything led back to books for me.

Math is a different story. At twenty-five, I still haven’t had a single day in my life where I thought, “Oh, thank the Lord I took all that algebra!” I know I will at some point, now that I’ve said that. That’s how these things work. You curse your high school, and, next thing you know, some dude in a ski mask has a gun to your head and says, “Alright, listen up! If you can solve for X, no one gets hurt!” That’s Karma, I guess. Until that happens, I’ll probably go on wondering how much more I might have learned if they’d just set me loose in the library and left me alone.

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Warning Signs

theshiningtwins

There is something perverse about horror fiction, whether you’re writing it, or voluntarily picking it up off a bookshelf. Don’t get me wrong, I don’t think it’s anything extreme enough to qualify as a mental illness. (So you just tell those men in the white coats to stay back!) It’s just… slightly less than socially acceptable in some circles.

Most people like pleasant things. Pleasant smells, pleasant sounds, pleasant books… you get the picture. Whatever else you could call my writing, it isn’t pleasant. That’s not what I’m going for, but apparently because I gave up the black trench coat and eyeliner that were my go-to fashion accessories in high school, people are sometimes surprised when I start reading my novel and nothing about it is pretty, sweet, or nice. Many times, someone comes up to me after a reading and says, “I didn’t expect to hear something like that from someone who looks like you.” It has never been presented as a criticism, but I get the feeling the other person and I both leave a little bit confused about what just happened. It seems so funny to me, the thought of having some visual aide on my person to warn potential readers about the graphic nature of my writing. Like a poison dart frog warning away would be predators with its bright, poisonous skin. What should I look like, then? Should I start wearing my Mrs. Lovett Halloween costume every time I read at Auntie’s? Brandish my plastic meat cleaver as I step up to the podium, so anyone who is uncomfortable with disease and decapitation, can go to the bathroom, or browse, and then come back when I finish reading? Perhaps a sign. Or something printed on a tee-shirt. “Warning: contains homicidal fiction?” I think I could have fun with this…

For a while, when this first started happening, I did go back to my old way of dressing. Black on black on black with heavy eye make up and boots, but that doesn’t really feel like me anymore. Well, not most days. And anyway, I’m not sure that’s really what’s tripping people up. I’m still relatively young, and I’m female, and I can write fight scenes that make grown men say, “Oh, man! That is so gross!” Maybe this is unusual. Being from Deer Park, where lots of high school girls go hunting,* and help butcher livestock, it’s sometimes hard for me to say what’s normal. In any case, if I can give my dad, a police detective, or my brother, a fellow horror movie connoisseur, the heebie-jeebies, I feel like I’ve done my job.

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* I don’t mean just tagging along. I mean they have the gun, they do the shooting, and they do the field dressing.

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So… about last night…

I know I promised to post every day in April. For yesterday’s post, I’d planned to attend the Patrick McManus reading and then do a post about it when I got home.

Let me explain what happened:

I woke up at 5AM yesterday morning, went to college as usual for my (gag) math class,

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Did my homework,

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Checked my blog to see if there were comments that needed approving,

Worked on my novel for so long that I forgot to eat lunch,

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Met up with my parents and my brother, got an early dinner and coffee,

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and went to Auntie’s for the reading…

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Which it turned out had an open bar courtesy of Sante, the restaurant next door…

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Now, I know what you’re thinking, but I only had one small glass.

Still… I may have ‘got lit’ in more than one sense. heh heh

(See Get Ready to GetLit! if you don’t get the reference.)

Patrick McManus was great, and I got my copy of his latest Bo Tully mystery signed. Awesome!

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Also, my mom was friends with one of his daughters growing up, and they’re going to reconnect,

so it was a great event no matter how you look at it.

BUT, although I maybe slow at math, I now know that

me+no lunch+caffine+wine= incessant giggling

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and forgetting to take a picture at the reading for my blog

and falling asleep after my mom drives me home instead of posting… yeah..

So now I know. Please, no shouting in the comments section.

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PS- I will be posting again today. I’m counting this as yesterday’s post.

 

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Get Ready to GetLit!

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Okay, I know that sounds like Cinco de Mayo is coming early for me, but Lit is short for literature. The annual Spokane festival celebrating the arts (and especially literature) is coming up this April 8th-14th. This week, Auntie’s Bookstore is already gearing up for the festivities. Tomorrow, April 4th, Patrick McManus is reading at Auntie’s at 7PM. April 5th, there will be an Open Mic night, also at 7PM. April 6th, there will be a reading by Julie Lilienkamp at 2PM.

For more information on events at Auntie’s Bookstore, go to http://www.auntiesbooks.com

They also have a link to the GetLit! website.

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I'm now taking part in NaBloPoMo on http://www.nablopomo.com All my posts will still be visible here, but I wanted to try it to expand my audience, and help me post more consistanly.

I’m now taking part in NaBloPoMo on http://www.nablopomo.com All my posts will still be visible here, but I wanted to try it to expand my audience, and help me post more consistently.

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It’s Criminal Part 1: Death & Destruction in the Pacific Northwest

[Author’s Note]

I had so many mystery/thrillers I wanted to discuss, I’m breaking this post into sections. Today: Death and Destruction in the Pacific Northwest. Why? Because I live here. And it has become a popular setting for this kind of story. For example:

Spokane, Washington was supposed to be where the remake of Red Dawn took place,

Red Dawn 2012

(Although most of it was actually filmed in Michigan. Same thing, right?)

Idaho and Spokane have both been used as settings for episodes of Criminal Minds,

Criminal Minds

and the mystery books set in this area are many and varied, but read the actual post for more on that. So, to sum up my post today: Local authors, local settings, great reads.

Again, please comment. I am always looking for new books for my reading list, and if you disagree with my assessments, I’d like to know why. Questions? Comments? Concerns about my mental health? If you’re thinking it, post it!

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The River City Books by Frank Zafiro- He’s from right here in Spokane, Washington, and he writes the most authentic crime fiction you will ever read. Mix that gritty realism with a diverse cast of believeable characters, brilliant dialogue, a good dose of humor (dark and otherwise), and you have a recipe for success. Bloody, sometimes tragic, can’t-put-it-down success. [BTW, if you take the time to pick out the landmarks in the stories, you’ll notice that the setting is local as well. 😉 You didn’t hear that from me.]

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Heartsick (and sequels) by Chelsea Cain- This series is set in Portland, Oregon, and written by an author who lives there. She ranks second only to Frank Zafiro for authenticity. You need a strong stomach to read these books, let alone enjoy them. You’ve been warned. But, her characters are addictive, and she actually keeps me guessing, which isn’t easy to do.

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The Fat Detective by John Soennichsen- Technically, this is a spoof, but it’s one of my favorite spoofs, and it was written by another Spokanite, which is always fun for me. Whether you’re a fan of old noir detective stories or a fan of making fun of noir, or you just want something funny, this one’s great.

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The Sheriff Bo Tully Mysteries by Patrick F. McManus- We can’t forget Idaho! Patrick McManus is a favorite author of mine, and has been for years. I was thrilled to learn he’d started writing fictional mysteries in addition to his tall tales about hunting and camping, which never fail to crack me up.

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When in Doubt, Light it on Fire or Blow it Up!

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My brother and I love watching horror movies. We have our own movie marathons each Halloween because we think the ones on TV suck. We don’t want to see a bunch of crappy CGI or cutesy Casper movies. We want to see psychos in hockey masks with machetes chasing characters we’re actually rooting for so we can yell at the screen, “Don’t go in there! He’s behind the door!”

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Cliche? Maybe, but it’s what we do. We kind of bonded over it because no one else in our family can stand horror movies. When I was in high school, we even wrote a horror movie survival guide called When in Doubt, Light it on Fire or Blow it Up! That was our catch-all advice for when our more specific strategies failed to help our hypothetical reader. Very few monsters can withstand fire or explosives without at least giving you some time to escape. It is advice that has carried over into my writing life when I feel a story is getting stale or going nowhere. It reminds me that it’s okay to shake things up and go for broke.

Hell, it’s more than okay, it’s necessary. Not every book or short story needs a literal explosion, but they do all need that energy. That element of the unexpected. If you lose that, you’re not doing yourself or anyone else any good. Before you know it, you’re on page three hundred and even you are so bored you can’t remember why you thought this book was a good idea.

Here are some ideas to help you shake things up and get going again if you get stuck:

1.) Introduce a new character. When Stephen Hunter started working on Point of Impact, he wasn’t happy with the way it was progressing when along came Nick Memphis. Hunter didn’t know why Nick was in the book at that point or where he’d come from, but he went with it and got the book back on track. (This informaton came from The Lineup, edited by Otto Penzler, an anthology of crime fiction writers explaining how their characters came to be. I highly recommend it.)

2.) Kill off an existing character.  This one is difficult for me. I get very attached to my characters, but they say in writing you have to kill your darlings, and sometimes that’s what is needed for the good of the book as a whole.

3.) Damage your protagonist. This will build tension faster than almost anything. Remember when Annie Wilkes breaks Paul’s legs in Misery? Or when Bob Lee Swagger ends up with an artificial hip? The damage doesn’t have to be physical damage, either. Alex Cross’s wife dying is a necessary catalyst to the action of his story.

4.) Have a change of heart. Give your character  an epiphany or a moral dilemma. Let them experience some mental or spiritual growth or decline and do something they wouldn’t have done at the beginning of the book. This gives your character more depth, and what has happened to them more meaning.

5.) Literally blow something up. When Stephen King got about half way through writing The Stand, he had tons of characters and tons of plot lines, (All masterfully handled. I’m still in awe of this book.) and society started to bounce back from the epidemic more quickly than he’d hoped. So, he decided to have a bomb go off in Boulder, Colorado to restart the action and refocus the story where he wanted it. Extreme? Yes. Effective? Hell yes. (I believe I got this story from the introduction of The Stand, but it may have been in Danse Macabre. I looked through both and couldn’t find it at a glance, but I know I read it somewhere, damn it.)

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Vampires: The Good, The Bad, & The Sparkly

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About ten years ago, I made my first serious attempt at a novel, (at least it seemed serious at the time). It was about teenage vampires. I was fourteen and didn’t know any better. I am happy to report that, unlike some authors, I had the decency to scrap it before it could see the light of day.

I love vampires. When they’re done well, I find them very entertaining, but I want to stress that you can’t just slap together a story, throw in vampiric stock characters and expect me to buy it and sing your praises. Not gonna happen.

Reading vampire books is probably the closest thing I’ve done to speed dating. Every now and then, you find a gem that will remain a favorite. More often, you find shallow characters, contrived plots, and dialogue that makes you wonder whether the author was smoking an illegal substance, or if they’d recently sustained a serious head injury. I’m willing to save all you lucky readers a step and tell you which of them are worth your time and the purchase price.

Please comment. Did I miss one of your favorites? Disagree with how I categorized some of the books? Think I’m totally off my rocker? I want to know!

 

The Good:

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1. Dracula by Bram Stoker- The ultimate vampire classic. One of my favorite things about this book is that the vampires are beautiful, but not romanticized. If you fall for one, you will not have a happy ending. I find that refreshing.

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2. ‘Salem’s Lot by Stephen King-  As always, interesting characters, a plot that will keep you up at night, and an original villain who will have you looking over your shoulder for at least a week.

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3. Interview with the Vampire by Anne Rice – I know this will probably be a more controversial choice for this list. People tend to either love this book or hate it.  I enjoy it for its seemless blend of philosophical and moral dilemmas, complex characters, vivid historical settings, and healthy doses of gore and terror. Not everyone likes her characters, but here’s the good news: you don’t have to. Another thing I like about her books is that there are almost never clear-cut good guys and bad guys. The characters don’t read that way. They read like actual people with strengths and flaws, which is a depressingly rare quality to find in a book.

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4. I am Legend by Richard Matheson- A modern take on the vampire. It doesn’t ignore the old vampire myths, rather it uses modern science and technology to explain the unexplainable. Plus, it will keep you guessing right up ’til the end.

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5. Rulers of Darkness by Steven Spruill- Okay, so this one’s a little goofy, and not my favorite, but it’s got good bones. I found the characters engaging and, although I had seen many aspects of this story before, (Vampiric police detective, Vampire who doesn’t feed on humans hunting down other vampires, Doctor seeks to cure vampires of their condition, Vampire father hunts down his vampire son when he gets completely out of control, etc.), I’d never seen them in this combination or blended this well. I still think it’s a fun read.

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6. Necroscope by Brian Lumley-  How many vampire novels also have a soviet spy organization and a high school kid whose math tutor is a dead guy? I only know of this one. Heard about this one from a family friend, and loved it. It ranks among the Stephen King and Anne Rice books for that feeling you get when you finish it. You know the one I mean, “Okay, that was fun, but can anyone give me the name of a good therapist? What? No, I’m fine. Really.”

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7. The Vampyre by John William Polidori- This is the grandfather of all vampire books, the work that brought these creatures of the night out of folk tales and into the literary world. It was written around the same time as Frankenstein, and if you enjoy Victorian literature you should definitely check this one out.

The Bad:

I tried to stay away from YA and Romance novels because I felt like the people reading those probably have different criteria for what’s good and what isn’t. Books from those categories were only included if the author had problems writing on a basic level.

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1. Sunshine by Robin McKinley- The premise is interesting enough, although it’s one I’ve heard before. (Human society is surprised to find that vampires, werewolves, demons, etc. are real. Chaos and tension ensue as society attempts to regulate their activity, and/or exterminate them.)  I enjoyed the style. I liked the world the story was set in.

The problem lies in the author’s addiction to narration and exposition. A lot could have been gained by revealing more information through dialog or action. I kept getting lost in the main character’s thoughts. Very distracting. With better editing and some brevity it could have had a feel of Ray Bradbury meets Janet Evanovich’s Lizzie and Diesel novels, but the main character’s inner monologue is unending.  Combine that with long and strangely structured sentences, and you lose my attention. If the narrative and exposition  had been broken up, pared down, and interlaced with action for better flow, I would have liked this book. Also, I suggest the author read Elements of Style by Strunk and White, specifically the section titled “Omit Needless Words.” As it stands, I can’t recommend it.

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2. The Bloody Red Baron by Kim Newman- I could be wrong about this one. If I am, will someone with a superior attention span please let me know? I wanted to like this book. It has tons of historical detail, a classic representation of Dracula, and Mycroft Holms (Sherlock’s  brother) is in the Diogenes Club, fighting The Terror. (Whatever that means. It sounds badass, but I was so confused by the number of characters and plot lines, that I gave up before I could figure it out.)

50 pages into the book, I was still unclear about who was fighting whom and why. It had something to do with Dracula, of course, and maybe WWI? And the Allies? And a war committee of vampires? And… Huns? Edgar Allen Poe makes an appearance, so do Franz Kafka and Winston Churchill. I’d like to give this one another try when I have more time to keep track of everything going on in this book. Maybe make a chart…

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3. The Vampire Files Series by P.N. Elrod- Every vampire cliché, and every private investigator cliché rolled into one. Pass.

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4.Thirst by Christopher Pike- I accidentally picked up the second book in this series, so I suspected I might have some issues catching up with who the characters were, what they were doing and why. I didn’t think I’d care so little. The opening scene, the big hook to draw the reader in, was a snobby vampire’s birthday party. (WTF? Who knew vampires even celebrated birthdays?) That may sound boring, but wait! There’s more. The snobby vampire’s friends have no taste! The main character is forced to open tacky gift after tacky gift and respond politely! Now, can’t you just feel the tension? The drama? The suspense? Me neither.

The Sparkly:

twilight

1. (and only) The Twilight Saga by Stephanie Meyer- This series is only part of this post because it’s such a phenomenon that everyone would be asking me why I excluded it if it wasn’t here. Why would I be tempted to exclude it? Because I don’t count these books as vampire novels! I have read the books. My friends loved them. I read them with the sincere hope that I would like them too. I don’t.

My biggest problem with these books is that I didn’t care about the plot at all because I couldn’t bring myself to care what happened to the characters. The Cullen vampires were the only characters who seemed to have back stories at all, and even theirs were sparse at best. I trudged my way through the first book and started the second because Twilight seemed to hint that perhaps Bella did have a personality, and we just weren’t seeing much of it right now. It gave me hope that I would get to know her and the other characters more. I chalked the delay up to it being the author’s first novel and decided to give her another chance.

After starting New Moon, I was about to give up hope. All Bella did was talk and think about Edward. All Edward did was sulk. Then Edward took off and I thought, “Finally, a light at the end of the tunnel. Now Bella can experience some personal growth. We can find out who she is apart from her love interest! Learn about her family, her past, her likes, dislikes, thoughts, hopes!” I turned the page… nothing happens in September… nothing happens in October… are you kidding me?  Okay, I remind myself, this guy has been everything to her for a year. Maybe she just needs some time… A motorcycle? That’s different. Seems like a start… Wait. Who’s selling her the motorcycle? Jacob? The runner-up hot dude? YOU CANNOT BE SERIOUS! I put the book down. I stopped myself from throwing it only because it was borrowed from a friend. I felt as though Stephanie Meyer was laughing at me, pointing and saying, “Gotcha!” Like I’d been hit in the face with a pie. I was almost hoping Ashton Kutcher would jump out and tell me I’d been punked. At that point, I was done with this series forever.

I like my vampires frightening, mysterious, and complete with personality and back story.  If an author strays from tradition, I’m fine with that- as long as the changes make the end result better. Otherwise you might as well forget the vampire idea and just call it something else. I don’t view sparkly skin, melodrama, teenage angst, tiny or non-existent fangs (depending on whether you’re going by the book or the movie*), a recreational baseball league, or trading in black Harleys and Ferraris for a silver Volvo as improvements. Call me crazy, but I’m sticking to that.

Ultimately, all that is beside the point. This book is not well written. It is clumsy, pandering, and two-dimensional. Not only is Stephanie Meyer an unskilled author, she shows no signs of wanting to improve. Why should she, really, when she keeps ending up on the bestseller list?

*Yes, I saw the first movie with my previously mentioned friends. My therapist and I are hopeful about my recovery.

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