Tag Archives: writing prompts

5 (Writer’s) Block Busters You Can Do in 5 Minutes

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[Said in obnoxious infomercial voice:]

Hey there, Fellow Writers!

Are you tired of having a scene (or even a whole story) in your head that you can’t seem to transfer to a notebook or computer?

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Or, sitting down to do your daily writing, and coming up with a big fat blank?

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It might not be your fault! According to the research of people you’ve never heard of who do studies of questionable legitimacy, you might be suffering from a condition known to lay people as “Writer’s Block.”

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If you have strategies to help get rid of writer’s block that I haven’t mentioned, please feel free to say so in the comments. Hearing new ideas (Or ones I knew, but had forgotten) is always helpful. Thanks.

Here are some exercises I’ve found helpful when my brain locks up on me:

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1.) Spend 5 minutes doing a prompt. This always gives me a mental kick-start and gets me writing. I don’t have to sit around trying to decide on an idea, and the time limit keeps me from editing as I go, which is something I do too often.

Prompt Examples:

– Find a friend. As quick as you can, both of you write a beginning sentence and an ending sentence, but nothing in between. Trade papers and fill in the blank  left in the scene of the other person’s sentences. Try to have a paragraph-long scene or story when you finish.

– Flip open a magazine and write a paragraph inspired by a picture or article on that page. What you write doesn’t need to have any actual connection to what’s on the magazine page. It’s just whatever that image/article brings to mind for you.

– Look at a news paper and start a scene where a character reads and reacts to one of the headlines. (This is also good for keeping your writing current and socially relevant.)

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2.)Take a 5 minute walk. Fresh air, Vitamin D. The outdoors are full of stuff that’s good for you. You’ll also be getting a little (but probably enough for our purposes) of exercise, which, as you probably know, gives your brain more of the stuff it needs. (Blood flow, oxygen.) Try to find a power walking pace that boosts your heart rate, but doesn’t leave you winded. You should end with more energy than you had when you started.

Things to pay attention to while walking:

– Landscape. Is there anything around the area where you’re walking that inspires or interests you? Anything that could be used in a potential story setting? This includes natural and man-made structures. Does a house look like a place one of your characters would live?

– Graffiti. I actually go around looking for graffiti because it always makes me wonder who wrote it there, and what made them think it was important enough that everyone should see it.

– People. What kinds of other pedestrians are in the area? What kinds of cars? How are the people driving? How are they dressed? Is there anything unusual about someone’s gait or mannerisms?

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3.) Eves Drop. Not on people you know, or anything. Just people out in public places who are having loud obnoxious conversations anyway. Make them work for your writing process. (I know two out of three so far require leaving the house, but they’re worth it.) Pay attention to word choice, voice inflection, speech patterns, accents, euphemisms. It can really help when writing dialogue.

Good places to overhear a conversation:

– Coffee Shops. Not a coffee shop where everyone else is there alone, writing or playing Fruit Ninja. One where you know people meet for lunch and gossip.

– Bus stations. I swear I have seen and heard stranger things waiting for buses than anywhere else I’ve been except the blood bank. (I do not recommend the blood bank for this exercise. You want to go someplace where the conversation might be a little scandalous or sketchy, but not someplace where you’ve got a high probability of getting stabbed and robbed as you leave.)

– Colleges. You don’t have to crash a class. You can just visit the campus and grab lunch in the cafeteria or something. Topics overheard can range from who did what with who/what for x amount of beer/money to the validity (or lack thereof) of existentialism.

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4.) 5 Minute Research Session. Fact check a portion of what you’ve already written, or do some quick research on a subject you may have avoided writing about because you didn’t feel knowledgeable.

Things to remember while researching:

–  Bored sixth graders have taken over a good portion of Wikipedia. That’s not to say you can’t or won’t  find good information there. Just remember to double check it.

–  Librarys aren’t just where homeless people go to use a computer. Most of the writers I know do a good job of utilizing the library as a resource. (Which is much cheaper than buying every book on amazon. Nothing against amazon, but it’s hard to beat free books.) A few, however, seem to keep forgetting it’s there, so I like to throw out a reminder once in a while.

– Databases are your friend. The good ones make it easy to search specific subjects and check the credentials of the authors of particular articles/ books. Plus, lots of these are also totally free.

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5.) Make an outline/timeline/flowchart/whatever. I have a large white board I use for this purpose. Sometimes when I’ve got writers block it’s because I know on some level that what I’m trying to write isn’t working. I could be missing a key fact, or maybe a new idea contradicts something that happened in a previous scene. either way, this process helps me figure out what’s wrong and how to change it so it works.

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Prompt Writing

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I  used to believe writing prompts would only serve as one more distraction from whatever project I was working on.

When I took a creative writing class in college, however, I discovered that one of the best ways for me to shake off writer’s block was to stop what I was doing and spend about five minutes working on a writing prompt.

Prompts are to the writing world what a starting gun is to a sprinter. And it is a sprint. The goal is not distance, quantity, or energy conservation, it is to get something down as quickly as possible regardless of how coherent, silly, or irreverent it may be.

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How I GotLit! :

Writing prompts also illuminate how many ways there are to look at a single subject. At Inland Northwest Writers’ Guild meetings, we often do a writing prompt or two, and even if we all have exactly the same starting point, the differences in the directions our thoughts take us is striking.

This was also the case at a panel I went to during the GetLit! Festival. Four professional writers were given a prompt: Red Eye, and asked to write something that could be read in about ten minutes. The person who came up with the prompt had been thinking of airplanes and red-eye flights, but that’s not how any of the authors interpreted it.

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Kim Barnes, a professor at the University of Idaho and the author of In the Kingdom of Men, wrote a nonfiction piece involving her family history (Which was filled with scandal and made for a great story.) and the Red-Eye Gravy her grandmother made. It brought to life the complicated family dynamics involved with several generations of relatives, and the self discovery that comes from bringing who you are together with where you come from.
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Shann Ray, author of American Masculine and professor of leadership studies at Gonzaga University, wrote a fictional story about a professional ballerina who marries a lumberjack. The connection to the prompt was a scuffle between the husband and wife, which he starts, but she ends by nearly putting his eye out. It sounds violent, but it had an emotional depth and a flow reminiscent of well-written poetry. By the end, I felt as if the characters were old friends, and was rooting for them to patch things up.

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Nance Van Winckel, a Spokane poet, read a piece about a young child’s tragic accidental death, and the after math for the child’s parents and their friends. Everyone’s eyes were red from crying. It was so powerful partly because she had the courage to ask the question I can never bring myself to ask when I hear about something like this on the news: [Please note, I am paraphrasing, these were not her words. I could never hope repeat her exact phrasing here, but I tried to capture the sentiment because I found it so incredibly moving. My apologies if I fail to do so.]

This was an accident caused not by malice, but by a simple lapse of memory. He forgot. I forget things all the time. Little things mostly, but where is the line between and a careless moment that leads to inconvenience and one that leads to disaster?

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Jim Lynch, author of Truth Like the Sun, ended the panel on a lighter note. His story was a spoof of old Noir detective stories (which faithful readers will know I love.) It was titled Spokane Envy, and involved a blues-music-obsessed son of a rich Seattle woman running away to Spokane. I never would have guessed I’d laugh so hard at anything so soon after contemplating death and culpability and whether good intentions mean anything. But as soon as Jim Lynch started reading, I was so caught up in the story of this socially inept, bumbling private eye who was running around Washinton State looking for a missing rich kid, trying to interrogate a girl who works in a fruit stand by the side of the road, posing as a waiter in the Peacock Room at the Davenport, and meeting a rooster named Red Eye, it was impossible not to laugh.

I found the spectrum of emotions and styles, all evoked by the same two words staggering. It was like some insane literary Rorschach test. But that’s the great thing about prompts, everyone comes up with something different. It’s also easier to venture outside your comfort zone because you don’t give yourself time to over think things.

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My Own Prompt Response:

Annette Drake asked me to include my own response to the prompt given at the last Writers’ Guild meeting in this post. The prompt was GetLit! You could take it any way you wanted. We were told shorter sentences were preferable because that had been a style we were discussing at the meeting. Anyone who had anything at the end of five minutes was asked to read if they felt comfortable doing so. I did. It’s good practice for reading my more polished work, and you won’t find a friendlier audience. I came up with this:

Patches don’t do a damn thing for me.

Gum don’t work worth shit.

What I need is a cigarette:

The glow of an ember.

Smell of tobacco.

Warmth of smoke in my lungs.

But the bitch took my lighter when she left this morning.

The unlit cylinder hangs from my lips:

Benign.

Impotent.

No fire hazard here.

[Please note, I am not and never have been a smoker. I have no idea what inspired this, but that’s often how prompt writing goes. Things seem to come out of nowhere.]

I liked that I’d found a rhythm different from what I usually do, but my feelings about the piece as a whole were lukewarm until I heard the response (laughter like you hope for in a comedy club) and Annette encouraged me to share it with all of you online. I highly doubt I would have even thought of anything like this, without a prompt, let alone written it down or shared it with anyone.

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